jili 100

Time: 2025-01-08   Source: jili 100    Author:jili 63 free 120
Parker Solar Probe: Will NASA Release Images Of Closest Flyby Of The Sun?By HALELUYA HADERO, Associated Press President-elect Donald Trump asked the Supreme Court on Friday to pause the potential TikTok ban from going into effect until his administration can pursue a “political resolution” to the issue. The request came as TikTok and the Biden administration filed opposing briefs to the court, in which the company argued the court should strike down a law that could ban the platform by Jan. 19 while the government emphasized its position that the statute is needed to eliminate a national security risk. “President Trump takes no position on the underlying merits of this dispute. Instead, he respectfully requests that the Court consider staying the Act’s deadline for divestment of January 19, 2025, while it considers the merits of this case,” said Trump’s amicus brief, which supported neither party in the case. The filings come ahead of oral arguments scheduled for Jan. 10 on whether the law, which requires TikTok to divest from its China-based parent company or face a ban, unlawfully restricts speech in violation of the First Amendment. Earlier this month, a panel of three federal judges on the U.S. Court of Appeals for the District of Columbia Circuit unanimously upheld the statute , leading TikTok to appeal the case to the Supreme Court. The brief from Trump said he opposes banning TikTok at this junction and “seeks the ability to resolve the issues at hand through political means once he takes office.”Nonejili 100

NoneHouse rejects Democratic efforts to force release of Matt Gaetz ethics report

Japan has started devising a strategy to strengthen its defense industry and promote exports of equipment, hoping to lay out medium to long-term goals for a sector that has struggled with small market scale and other challenges, government sources said Friday. The so-called national defense industry strategy may be compiled next year. The planning will involve not only the Defense Ministry but also others such as the Economy, Trade and Industry Ministry, making the process different from the strategy the Defense Ministry came up with in 2014 on defense production and technological bases. The new strategy is expected to encourage collaboration among businesses, government and academia by showing the future direction of the necessary technology and production bases, according to the sources. The move is in line with the 2022 National Security Strategy, which pledged to advance defense production and technology bases, describing them as "defense capabilities themselves." In the document, which was updated amid the security challenges posed by China and North Korea, the government also said the transfer of defense equipment and technology is "a key policy instrument" to create a "desirable" security environment for Japan and to provide assistance to countries facing the fear of the use of force. Based on long-term policy guidelines, Japan has gradually eased its strict rules on defense equipment transfers, which had been maintained under its war-renouncing Constitution. The government's focus on reinvigorating the domestic defense industrial base is a boon for the sector, which has faced low profitability with sales channels limited to the Self-Defense Forces as well as a series of withdrawals from smaller companies. To forge the new national defense industry strategy, the government also plans to set up a panel of experts to look into issues such as which industrial fields and technologies should be maintained and strengthened, and resilient supply chains should be built, according to the sources. The strategy is expected to be revised every five years. Major global powers have renewed their awareness of the importance of the resilience of their defense industries amid Russia's prolonged full-scale invasion of Ukraine, which has underscored the importance of weapons and ammunition supplies. In January, the United States released its first Defense Industrial Strategy, which laid out long-term priorities to shore up its industrial base amid the military buildup seen by its adversaries. The European Union also announced in March its first-ever defense industrial strategy, setting goals such as procuring at least 40 percent of its necessary defense equipment in a "collaborative manner" by 2030.Dr. Matthew Opoku Prempeh Reaffirms NPP’s Commitment to Revitalizing Agricultural CollegesNew Delhi: Congress President Mallikarjun Kharge on Thursday dissolved the entire Pradesh Congress Committee (PCC) unit in Uttar Pradesh, along with the district and block units, effective immediately, according to a press statement. This decision is being seen as part of the party’s plan to restructure its Uttar Pradesh unit and prepare for the next Assembly elections in the state in 2027. In an official statement, AICC General Secretary K.C. Venugopal confirmed the decision, saying, “Congress President has approved the proposal to dissolve the entire state unit of the PCC, along with the district presidents and Block Congress Committees of the Uttar Pradesh Congress Committee, with immediate effect.” All committees, sub-committees, and district-level units of the Uttar Pradesh Congress Committee have been dissolved with immediate effect, following which all the old officials, executive committee members, and leaders with special charge will no longer hold these posts. The Congress’s performance in the 2019 and 2024 Lok Sabha elections and 2022 Assembly elections was disappointing. Therefore, the party needs to re-establish itself in Uttar Pradesh, which was once a Congress stronghold. However, under Kharge’s leadership, the grand old party is trying to bring forward youth and grassroots leaders into its fold. The party leadership believes it is necessary to change the old committee and induct new energy into it. As many as 403 Assembly seats of Uttar Pradesh will play an important role in the upcoming elections. The objective of the organisational change is to strengthen the Congress at the regional level. The party will select a new leadership, which can understand the ground issues better. At the same time, efforts will also be made to fix the accountability of old leaders. This decision by Congress will have more impact in those Assembly seats in the state where the party currently has less influence. New committees could be formed to create a balance between young and experienced party leaders in Uttar Pradesh. Congress will now re-establish its organisation in both rural and urban areas of the state keeping in mind caste equations. Earlier on November 6, Kharge had dissolved the Himachal Pradesh Congress Committee (PCC), along with its district and block units, in a significant restructuring move. The decision, effective immediately, aimed to revamp the party’s structure in the Congress-led hill state, which had not seen a major reorganisation since the party’s government was established there,

Melanoma blood test could detect skin cancer before it's visible to naked eye

outboundIQ Achieves Certified Implementation Partner (CIP) Status with Five9Charleston Southern stuns host Miami Hurricanes men’s basketball teamJapan has started devising a strategy to strengthen its defense industry and promote exports of equipment, hoping to lay out medium to long-term goals for a sector that has struggled with small market scale and other challenges, government sources said Friday. The so-called national defense industry strategy may be compiled next year. The planning will involve not only the Defense Ministry but also others such as the Economy, Trade and Industry Ministry, making the process different from the strategy the Defense Ministry came up with in 2014 on defense production and technological bases. The new strategy is expected to encourage collaboration among businesses, government and academia by showing the future direction of the necessary technology and production bases, according to the sources. The move is in line with the 2022 National Security Strategy, which pledged to advance defense production and technology bases, describing them as "defense capabilities themselves." In the document, which was updated amid the security challenges posed by China and North Korea, the government also said the transfer of defense equipment and technology is "a key policy instrument" to create a "desirable" security environment for Japan and to provide assistance to countries facing the fear of the use of force. Based on long-term policy guidelines, Japan has gradually eased its strict rules on defense equipment transfers, which had been maintained under its war-renouncing Constitution. The government's focus on reinvigorating the domestic defense industrial base is a boon for the sector, which has faced low profitability with sales channels limited to the Self-Defense Forces as well as a series of withdrawals from smaller companies. To forge the new national defense industry strategy, the government also plans to set up a panel of experts to look into issues such as which industrial fields and technologies should be maintained and strengthened, and resilient supply chains should be built, according to the sources. The strategy is expected to be revised every five years. Major global powers have renewed their awareness of the importance of the resilience of their defense industries amid Russia's prolonged full-scale invasion of Ukraine, which has underscored the importance of weapons and ammunition supplies. In January, the United States released its first Defense Industrial Strategy, which laid out long-term priorities to shore up its industrial base amid the military buildup seen by its adversaries. The European Union also announced in March its first-ever defense industrial strategy, setting goals such as procuring at least 40 percent of its necessary defense equipment in a "collaborative manner" by 2030.

Innovate corp.'s interim CEO Paul Voigt acquires $99,500 in stock

Watch the 10 Best Celebrity TikToks of the Week: North West, Selena Gomez, Hailey Bieber, and moreLabour Asians Society Hosts Landmark Event: 'Bridging the Future: British Asians and the Labour Party' at the House of Commons 12-05-2024 11:34 PM CET | Politics, Law & Society Press release from: ABNewswire London, UK - Dec 05, 2024 - The Labour Asians Society made history on October 21, 2024, with its groundbreaking event, Bridging the Future: British Asians and the Labour Party , held at the Jubilee Room in the prestigious House of Commons. The event, hosted by Deirdre Costigan, MP for Ealing Southall, aimed to inspire British Asians to take up leadership roles, not just within the Labour Party but across various spheres of British society. Image: https://lh7-rt.googleusercontent.com/docsz/AD_4nXcqh6qBKTrVIurT78oeth6nt33oU2FxPuIxc6rVDVZdERXxssz85M_3la6FAJJUWG-ek9N3DH8QAhLBbt3P8ZD3sNXqpF722aBTcmRGqGyL7G7XYldqy4966K6YrFbYhqBGOlDP-A?key=O1ngWHv_cYJ4frVBGV6JFdVZ The gathering brought together influential leaders, politicians, and aspiring members of the British Asian community. It highlighted the pivotal role this community plays in shaping modern Britain and sought to encourage greater representation in decision-making positions. A Vision for Leadership and Inclusion Opening the event, Kirat Raj Singh, Vice Chair of the Labour Asians Society, set the tone with a powerful message urging British Asians to embrace leadership opportunities. Addressing the attendees, he said: "We are here to inspire and encourage all British Asians to join the Labour Party and support our vision for a brighter future under a Labour government and our visionary Prime Minister, who is committed to taking Great Britain forward." Singh emphasised the importance of British Asians actively participating in political processes to ensure their voices are heard and their contributions acknowledged. His call for unity and determination resonated deeply with the audience. Encouragement from Senior Labour Figures Deirdre Costigan MP expressed her gratitude for the Labour Asians Society's hard work and commitment during the last general election. Her words underscored the importance of nurturing talent within the British Asian community. "Those in the room are capable of much more than they realise. Tonight's event is about pushing yourself forward. The Labour Asians Society will support you every step of the way." Her encouragement reflected the Labour Party's ongoing commitment to promoting diversity and fostering a more inclusive leadership structure. Afzal Khan, MP for Manchester Gorton, also delivered an inspiring speech, urging attendees to envision themselves as future parliamentarians. "This is your Parliament. Come here as Members of Parliament. The Labour Asians Society is here to ensure that more of you take your seat at the decision-making table." His words reinforced the belief that representation at the highest levels of government is not just a possibility but a necessity for creating policies that reflect the diversity of Britain. Addressing Challenges and Empowering the Future In his closing remarks, Atta Ul Haq, Chair of the Labour Asians Society, reminded attendees of the need for continuous effort to address pressing issues faced by ethnic communities. He highlighted critical challenges such as the gender pay gap and barriers to education, urging the community to take bold steps to overcome these obstacles. "We need bold decisions for our ethnic communities, and education is the great equaliser. Let us inspire the younger generation to dream big and take on leadership roles in every sector." Haq's speech underlined the Labour Asians Society's mission to not only support political aspirations but also address social and economic disparities affecting British Asians. Building a Brighter Future The event served as a platform for open dialogue and collaboration, with attendees discussing strategies to strengthen the representation of British Asians in political and public life. It also celebrated the achievements of individuals who have already broken barriers, serving as role models for the younger generation. The Labour Asians Society's efforts align with the Labour Party's broader vision of fostering diversity, inclusivity, and equal opportunities for all. Events like Bridging the Future are instrumental in creating a pipeline of leaders who can bring fresh perspectives to British politics. A Call to Action The Labour Asians Society used the event to launch a call to action for British Asians across the country. By joining the Labour Party and taking on leadership roles, individuals can contribute to shaping policies that address the unique challenges faced by ethnic communities while promoting social justice and equality. The Society is committed to providing the necessary support, mentorship, and resources to empower aspiring leaders. This includes training programmes, networking opportunities, and guidance for those interested in running for public office or taking on other leadership roles. The Road Ahead As the Labour Party looks towards the future, the contributions of British Asians will remain crucial in shaping its policies and leadership. The Labour Asians Society is determined to ensure that the voices of this community are heard loud and clear, both within the Party and on the national stage. The success of Bridging the Future: British Asians and the Labour Party marks a significant milestone in the Labour Asians Society's journey. The event not only inspired attendees but also set the stage for greater engagement and representation in the years to come. Image: https://lh7-rt.googleusercontent.com/docsz/AD_4nXeBIrJK15E2rvuGGdUJKMRHZGMWtmoOKpQyupY3rUH-wbCr5rU3VoTPkb5EgllkUz4QZnJeMin0HoMQPPhkPLfF5flsQPpS1VVLIpBAbaUjovdYTG2_5mnp6T_bU4pYJfqmNZNDkw?key=O1ngWHv_cYJ4frVBGV6JFdVZ About the Labour Asians Society The Labour Asians Society is dedicated to promoting the interests and representation of British Asians within the Labour Party. Through initiatives like Bridging the Future , the Society aims to empower individuals to take on leadership roles and contribute to building a more inclusive and equitable society. For more information about the Labour Asians Society and upcoming events, please visit https://www.labouras.com/ Media Contact Company Name: Kirat Raj Singh Contact Person: Kirat Raj Singh Email:Send Email [ https://www.abnewswire.com/email_contact_us.php?pr=labour-asians-society-hosts-landmark-event-bridging-the-future-british-asians-and-the-labour-party-at-the-house-of-commons ] State: London Country: United Kingdom Website: https://kiratrajsingh.com This release was published on openPR.

Pierce's 20 lead Presbyterian past Youngstown State 67-42Vasko's 4 TDs power Coastal Carolina past Georgia State 48-27 to become bowl eligible

When filmmaker Chris Sanders began to imagine what his fifth animated film, might look like on the big screen, he was stuck on one crucial idea: how to turn Peter Brown’s deep-feeling and beautifully rendered YA novel about a caring robot and the baby goose she adopts into a movie for everyone. “One of the things we talked about a lot, was for a broad audience?” Sanders said in a recent interview with IndieWire. “We’ve talked a lot about who you work to not , but you also don’t try to target anybody specifically. Anytime I’ve been near that, when you try to deliberately target any particular group of people, I think inevitably you miss and it throws things into a very strange place.” That meant crafting a film that could appeal to all ages, not just the built-in audience of kiddos who would naturally gravitate toward a colorful world mostly populated by chatty forest animals and the charming robot ( ) who brings them together. “One of my most critical concerns from the very beginning was making a movie for adults,” the filmmaker said. “I absolutely knew by nature of the story that kids were going to be interested. A robot in the wilderness and these really adorable animals? It’s naturally going to be interesting to kids, very kid-friendly. I was really concerned that the style of the movie and the storytelling be something that adults would really engage with in a big way, and that’s where the whole style of the island came from.” For Sanders, the recipient of this year’s , dedicated to honoring those who advance and delight in the craft of animation, that meant a combination of both the look and the feel of his lauded film. “Visually, I think that was the biggest challenge: to find an artistic and aesthetic altitude that was worthy of the story,” Sanders said. “It’s just natural for me to operate in those kinds of zones because I came from ‘Mulan,’ ‘Lilo & Stitch,’ ‘How to Train Your Dragon,’ where I love to attend to the big emotional wavelengths of these things and to not shy away from it.” Sanders, who has directed animated hits like “Lilo & Stitch” (he even voices the cuddly blue alien) and “How to Train Your Dragon,” pointed to a wide variety of other animated classics as his creative waypoints: everything from “Who Framed Roger Rabbit” to “My Neighbor Totoro” and the “always inspiring” classic “Bambi.” Even during production on a new film, Sanders said he likes to watch other movies to keep his brain fresh and his imagination bold. “You get so busy on your particular film, you get so into the details, sometimes you just need to remind yourself what a movie is,” he said. “I’ll go to see a movie, it can have nothing to do tonally with the thing I’m working on, it can be a drama, it can be a comedy, it can be almost a near documentary. It could even be a horror film. It just reminds you of what a movie is, the audacity of it, the boldness of it.” Mostly, Sanders and his team — as you can see, the filmmaker nearly always says “we” when chatting about his creative choices, rarely just “I” — wanted to tell a story they would all enjoy. Perhaps that was the ticket. “We were just so busy making a movie that entertained ourselves, because I think we’re very representative of the core audience,” he said. “All of the things that people were feeling when they watched it, we felt when we were making it. ... Our wish was that, when the movie was over, people would walk out of the theater and just have a moment of, ‘Oh, I’m back,’ to really try to immerse people and beguile them with the environment.” Sanders, who also adapted the script for the film from the first book in Brown’s beloved trilogy about the wondrous robot Roz and the lush forest (and all its furry friends) she eventually makes her home, was so struck by Brown’s book that he could instantly “see” some of the key scenes he wanted to bring to the big screen while reading. “It absolutely happens,” he said when asked about those “lightbulb moments.” “As I’m reading a book, if I see [even one moment] very clearly in my head, I get very anxious that other people will see what I just saw. In ‘The Wild Robot,’ there were several places like that. One of the most notable would be in the very middle, the migration. It isn’t the climactic finish of the movie, it’s just the midpoint, and yet it’s one of the most compelling things I’d ever worked on.” In the film, Roz is unexpectedly shipwrecked on an uninhabited island while she’s out for delivery to the wider, decidedly human world. While the animals that live on the island — foxes (like one voiced by Pedro Pascal), squirrels, bears, beavers, falcons — are initially scared of their new mechanical citizen, Roz finds sanctuary when she adopts young Canadian goose Brightbill (voiced by Kit Connor) after she (oops) accidentally kills his entire family. Ever driven by her programmed directives, Roz makes it her job to get Brightbill ready for an upcoming migration. “I liked the complexity of it, the spectacle, the scale,” he said. “I always work to music and immediately as I was reading this, music was going through my head, visuals were going through my head. What an incredible moment.” Of course, Roz and Brightbill (plus Pascal’s fox Fink) eventually come to love each other, seeing each other as their own chosen, slightly weird but deeply adorable family. And while Brightbill is, at first, angry at Roz for forcing him to migrate (and thus, take him away from his new clan), his goose mentor Longneck (voiced by Bill Nighy) offers him some key context to her choices as his surrogate mom, just as they — and hundreds of other geese — finally take to the skies. “At that moment of truth, when Longneck lays this big last piece of information on him to consider, there’s no longer time for him to apologize, there’s no time left to make things right,” the filmmaker said. “This is something that I have experienced in my life, that I’ve waited too long to say something, and the regret that I carry is huge. So I love the complexity of the moment and these two characters are doing their best to navigate that moment while this really huge thing is going on and time has run out and the train is leaving the station and Brightbill has to be on that train.” What was thrilling for Sanders was “not only these big, magnificent events that were visually compelling, but the incredible complexity and power of the emotional wavelengths that were flowing” through them. And, yes, those first sparks of an idea, those lightbulb moments, are very close to what we see onscreen. “In the case of the migration, pretty close, because I actually [story] boarded it,” he said when asked about how closely his vision and the final product align. “I thought, ‘I know exactly what I want, let me just jump in there, I’ll board it, and I’ll get it up there.’ I had a very specific series of shots that I really wanted to get up on screen, some of those high angles with all the birds and Roz running with her arms out and stuff like that. I usually have a pretty clear thought for what I want, and in that particular case, I took the extra step of, I’ll just board it. That one didn’t shift very much at all, it pretty much stuck.” That look is essential, because while “The Wild Robot” was computer-animated, it also comes with a distinctly painterly look. A combination of technological advancements and old-school attention to details, which included hand-painted elements (artists used styluses, not brushes, in a 3D environment, but the look and feel are wonderfully familiar), made it possible. “I hadn’t been on a film that did that since ‘Lilo & Stitch,'” Sanders said of the hand-painted elements. “The idea that we had matte painters painting the sky, painting the trees, . It made such a gigantic contribution to the emotional resonance of that film. It cannot be understated. We are so at the verge of another Renaissance, as far as seeing new styles of things now. I’m really thrilled by it.” Given the tremendous success of the film — it has so far made nearly $320 million at the global box office, with glowing reviews from both critics and audiences to boot — talk of a sequel is only natural. After all, “The Wild Robot” part of a trilogy of novels. We have not yet begun to do anything on a sequel yet,” Sanders said. “I think we’re very hopeful. I’ve definitely read the second book, and I plan to actually re-read it because his books have many, many chapters. When I read it the first time, I just it. I just needed to digest it. And the second time through, I’m actually going to make some notes to myself that, perhaps, may come in handy.” Whatever the filmmaker tackles next, Sanders believes animation is returning to “more handmade-looking things.” “I am not somebody who is lamenting the disappearance of traditional animation,” he said. “I love traditional animation and I know it’ll always be there. I was just watching ‘Robot Dreams,’ and it’s hand-drawn and it’s the perfect style for that story, but the fact that we have now finally broken away from that gravitational hold that we were under technologically is the thing that’s so thrilling to me about where we are right now. I feel like we’ve come through a tunnel and we are looking at a big open field and mountains, and we can finally see the sky, and now we can finally go back to more broad, stylistic choices.” He credits “with a Sherman tank.” “That was such a revelation, that film worked so well because of it, it got the Oscar,” Sanders said. “It so deserved it. That just let everybody know, ‘Oh, we are open and free to maneuver, should we be able to get our software to the point where we can do it.'” While audiences might not be too fussed about the mechanics that make this all possible, they do it in the final product. That’s what really gets Sanders going. “People noticed the difference on ‘The Wild Robot,'” Sanders said. “I was wondering, well, we are so attuned to it within the studio, saw it as looking like a radically different thing, and I actually wasn’t sure, when we show this to a general audience, are they going to see the same things that we are? And they sure did, people would comment on it, and , that made me happy.” Sign up for . For the latest news, follow us on , , and .

Tesla hasn’t unveiled its next generation human robot in the form of the app named GEN-3 Teslabot, bringing with it significant advancements in the field of humanoid robotics, merging state-of-the-art engineering with a design inspired by human anatomy. This next-generation robot demonstrates exceptional and , setting a new benchmark for what can accomplish. From catching a tennis ball mid-air to envisioning tasks like threading a needle, the Teslabot is poised to reshape how robots interact with and adapt to the world around them. Wouldn’t it be great if robots didn’t just assemble cars or vacuum your living room but perform tasks requiring the finesse of human hands—threading a needle, playing a piano, or even catching a tennis ball mid-air. It sounds like science fiction, doesn’t it? Yet, Tesla’s latest innovation, the GEN-3 Teslabot, is bringing us closer to that reality. With its human-inspired design and new engineering, this robot is redefining what we thought machines could do. But what makes the so extraordinary? It’s not just the flashy demonstrations or its sleek design. It’s the way Tesla has managed to replicate human dexterity and precision in a machine, giving it the potential to tackle tasks we once thought only humans could handle. From its 22 degrees of freedom in the hand to its vision-driven precision, it’s a glimpse of what’s to come. Let’s dive into the details of Tesla’s GEN-3 Teslabot and explore how it’s pushing the boundaries of what’s possible. The GEN-3 Teslabot showcases exceptional dexterity, including the ability to catch a tennis ball mid-air, highlighting its precise hand coordination and dynamic task handling capabilities. Its robotic hand features 22 degrees of freedom, mimicking human anatomy for natural movements and allowing manipulation of objects with high precision and adaptability. Vision-driven precision, powered by advanced sensors and algorithms, allows the Teslabot to autonomously perform intricate tasks like threading a needle or playing musical instruments. Custom-designed actuators and sensors balance complexity with scalability, making sure the Teslabot is both highly capable and practical for mass production. With a focus on scalability and versatility, the Teslabot is designed for real-world applications, from industrial tasks to household assistance, positioning it as a fantastic technology for human-robot collaboration. One of the most striking demonstrations of the Teslabot’s capabilities is its ability to catch a tennis ball mid-air, a feat it achieved twice during a live presentation. Although this task was teleoperated, it highlights the robot’s and . This achievement underscores Tesla’s success in translating human-like movements into robotic actions with impressive accuracy. Such capabilities suggest the Teslabot’s potential to handle in unpredictable environments, paving the way for its application in scenarios requiring quick reflexes and adaptability. At the core of the Teslabot’s dexterity is its robotic hand, which features , closely mirroring the complexity of a human hand. This advanced design enables the robot to perform and manipulate objects of various shapes and sizes with ease. The actuators, strategically housed in the forearm, are modeled after human anatomy to optimize both control and efficiency. This human-inspired engineering not only enhances the robot’s functionality but also equips it to perform tasks that demand and , such as assembling intricate components or handling delicate objects. Gain further expertise in humanoid robots by checking out these recommendations. Tesla envisions the Teslabot taking on increasingly intricate tasks in the future, such as threading a needle or playing musical instruments like the piano. These activities require , , and , all of which are made possible by the robot’s vision-based task execution. Equipped with advanced sensors and algorithms, the Teslabot can autonomously navigate and interact with its surroundings. This capability positions it as a for tasks requiring both fine motor skills and complex coordination, opening up possibilities for its use in fields ranging from manufacturing to healthcare. The Teslabot’s impressive performance is powered by that draw inspiration from human anatomy. These components are carefully engineered to balance with , making sure that the robot remains scalable for mass production without compromising on performance. By integrating these innovative technologies, Tesla has created a robot that is not only highly capable but also practical for widespread use. This approach reflects Tesla’s commitment to advancing robotics in a way that is both innovative and accessible. Tesla’s focus on scalable manufacturing underscores its ambition to integrate humanoid robots into everyday life. The Teslabot is designed to perform a diverse range of tasks, from to . Its combination of dynamic movement and precise execution makes it adaptable to various environments, whether in a factory, an office, or a home. This versatility positions the Teslabot as a with the potential to transform industries and redefine the way humans collaborate with robots. The GEN-3 Teslabot represents a pivotal step forward in the evolution of humanoid robotics. Its ability to perform both and narrows the gap between human and machine capabilities. As Tesla continues to refine its design, the Teslabot could unlock new possibilities for robotics in workplaces, homes, and beyond. This rapid progress signals a future where humanoid robots play an integral role in society, reshaping industries and enhancing daily life through seamless human-robot collaboration. Media Credit:

President-elect Donald Trump asked the U.S. Supreme Court to pause a law that would ban the TikTok social media platform on Jan. 19 if it isn’t sold by its Chinese parent company. Trump said the court should give him time after his Jan. 20 inauguration to “pursue a political resolution” of the dispute. He didn’t take a position on the constitutionality of the disputed law, which Congress enacted on a bipartisan basis earlier this year. Javascript is required for you to be able to read premium content. Please enable it in your browser settings.

Previous: x a.i

Next: jili 1985